Download Being Here Is Everything: The Life of Paula Modersohn-Becker (Semiotext(e) / Native Agents)
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Being Here Is Everything: The Life of Paula Modersohn-Becker (Semiotext(e) / Native Agents)
Download Being Here Is Everything: The Life of Paula Modersohn-Becker (Semiotext(e) / Native Agents)
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Review
Best Book on Art 2016―Lire magazineA biography full of life force, drafted in the present with grace... Dazzling!―ElleA magnetic portrait of a woman, taking shape through the seemingly simple, but always so beautiful, writing of Marie Darrieussecq.―VogueBetween the lines, this very beautiful text is read as a feminist manifesto, that constantly questions the place for women in art.―Les InrockuptiblesDarrieussecq's writing is poetic and stylized; the tableau unfolds sometimes in one-sentence paragraphs and one-word sentences, and always in the present tense. Clearly written for a broad audience, this book will renew appreciation for a deserving artist who's too often reduced to a mere passing mention in art-history textbooks.―Publishers WeeklyBeing Here is Everything should be read less as a definitive biography than as a tender, interpretative meditation by Darrieussecq. Through her interpretive paraphrasing of the artist's words, her textual narration of the paintings, and her omission of any visual reproductions of them (as well as of most of their titles), Darrieussecq writes a specific version of Modersohn-Becker's life. Though not a book of rigorous scholarship, she nonetheless makes a compelling and lyrical case for resuscitating Modersohn-Becker's reputation, and for exposing her paintings to a wider audience. As at long last we begin to color in the annals of art history with artists who once sat outside the traditional canon, the tapestry becomes all the more vivid with the inclusion of Modersohn-Becker's work.―Brooklyn RailDarrieussecq writes about her subject with a vibrant, urgent present tense-ness, as though Becker herself is unfolding before us. In prose propelled by temperamental rhythms―some paragraphs are half a page long, while others are but a single sentence―Darrieussecq composes a flickering tale that accounts for the artist's life, for the odd space of grief she feels for the artist she never knew but loves, and for the art Becker might have made.―4ColumnsIn Darrieussecq's hands, Modersohn-Becker's story is both individual and exemplary: a frightening, energising fable that weirdly resembles a 19th-century version of Viv Albertine's punk memoir Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys, with Sid Vicious recast as the poet Rainer Maria Rilke. Paula Becker began to draw seriously at the age of 16.―Olivia Laing, The Guardian
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Review
Marie Darrieussecq's Being Here Is Everything is a voluptuous, melancholy portrait of an ambitious genius and her passionate and sometimes competing friendships with two other ambitious artists in her milieu. Drawing voraciously from letters, diaries, histories, and other literatures, Being Here Is Everything is all at once expressionist biography, obsessive detective work, and elegiac meditation into art and motherhood.―Kate Zambreno, author of Heroines and Green GirlMarie Darrieussecq reads the testament of Modersohn-Becker―the letters, the diaries, and above all the paintings―with a burning intelligence and a fierce hold on what it meant and means to be a woman and an artist.―J. M. CoetzeeBeing Here Is Everything is a luminous tale about the courage of the lone female artist.―Joan London
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Product details
Series: Semiotext(e) / Native Agents
Paperback: 160 pages
Publisher: Semiotext(e); 1st Edition edition (October 27, 2017)
Language: English
ISBN-10: 1635900085
ISBN-13: 978-1635900088
Product Dimensions:
5.4 x 0.4 x 8 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#338,506 in Books (See Top 100 in Books)
Definitely a different kind of art and biography. Perhaps being written by a woman who professes her love for another woman who she never knew is beyond most men's brain set. The kinship between women goes back to our earliest existence when women lived together and only tolerated men for procreation and protection. The author stresses the dominance of males in the art world and museums and the difficulties the artist along with other women had in being treated equally. The subject of the book, Paula Modersohn Becker, seems to haveng identity and attachment problems being in love with herself and so many more, including Clara Rilke Westhoff, sculptor, and I can only think of another female artist, Frieda Kahlo, who painted as many self portraits. The author's focus on Paula being the first modern woman to paint herself in the nude seems to be the crowning achievement of her painting career. The writing style is interesting with notes of the author's feelings and short jaunts into other people's mind. There are no images of her paintings except for the book cover's self portrait of Paula. This would be a good read before watching the movie, Paula, depicting her life with the typical Hollywood treatment.
Fantastic, poetic biography. Short enough to read in one afternoon, with blazing imagery.
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